James Bond is driving from Lake Garda to Siena, Italy, with the captured Mr. White in the boot of his car. After evading pursuers, Bond delivers White to M who interrogates him regarding his organisation, Quantum. PC GAME FIXES James Bond 007: Quantum Of Solace for related No-CD & No-DVD Patch No-CD & No-DVD Patch troubleshooting: The most common.

James Bond Censor Cuts: GoldenEye GoldenEye 26th November 2011 How film censors got their hooks into GoldenEye by Gavin Salkeld GoldenEye came before the BBFC in 1995, who viewed the film in a rough cut form. This is a common practice with filmmakers who are seeking a certain rating. They can submit their film (in an unfinished state) to the Board informally, who will suggest cuts to the film so that the desired rating is more likely to be achieved when the final, formal submission is made.

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Like Licence to Kill before it, GoldenEye went down this route. These are the cuts originally made in 1995 to the rough cut of the film. Rough Treatment During the pre-credits sequence in Russia, the original version had clear sight of Trevelyan being shot in the head by Orumov. Despite the fact that we later learn this death was fake, the BBFC felt it too strong in tone to be passed at the 12 level, and it was removed. When Xenia and the Admiral have sex on the Manticore, the sequence was originally longer, with more footage of the lovers' shadows on the wall (an effect that took an awful lot of effort to set up and shoot, only to be reduced to a minimum in the final cut). In particular, we saw more of the Admiral's pained shadow, and Xenia's squeezing was also longer.

The BBFC also shortened Xenia's orgasm, with her cries of Yes! Reduced to just two in the final edit, with one cry being lost in the process. After Xenia takes Bond to meet the mysterious Janus, the interior shot of the car was originally held in one, single take of one angle; Bond in the back seat, Xenia in the front.

When Bond knocks Xenia out with a rabbit punch, this was clearly visible due to the take being shot from one angle. However, the BBFC objected to this on grounds of imitability and an entire day's reshooting was undertaken in order to get a close-up of Bond delivering the rabbit punch just off-screen. Speaking of the reshot version that was needed, director Martin Campbell said, Ironically, I think it's just as vicious off-screen as it is on, but that's censorship for you. Annoyingly, this edit remains in uncut international versions, despite the fact the MPAA did not object to it. The filmmakers simply saw no need to create two versions of the scene, and thus left the censored version in the International cut of the film.

The MPAA also had some ideas for cuts The MPAA also took umbrage at some of the film's content. The MPAA concurred that Orumov's shot to Trevelyan's head had to be removed for a PG-13, and the reduced sex scene (sex always being a bone of contention for the MPAA) remained shortened. The Severnaya hijack sequence was also cut to get a PG-13 rating, with numerous shots removed of the workers being gunned down by Xenia. Furthermore, Xenia's death was also toned down; originally her body was seen writhing against the tree for longer, before her back breaks with a crack and she slumps dead. The slump, sans sound effect, is all that remains. The final MPAA cut occurs when Trevelyan turns over after falling from the dish. The shot showing his bloodied face and a trickle of blood running oozing from his mouth had to be shortened as soon as he turns towards camera, as the MPAA objected to the prolonged sight of blood on his mouth.

A strange request indeed, especially given the large amount of blood that we see on Bond's shirt in Casino Royale - also a PG-13. Critics of the MPAA say a ratings slide has occured across the years, and with instances such as this, one cannot help but agree. The cuts listed so far established the International Version that was distributed in the USA, Europe and beyond. UK Specific Cuts The BBFC at the time had major issues with headbutts, ear claps and the like. These weren't a problem for the American release, and there simply was no need to do anything to spoil the thrilling final fight scene - surely a contender for one of the best close-quarters fight scenes on film. So a batch of cuts were prepared specifically for the UK release.